Read the whole essay here. Sorry for the pause in blogging -- I should start up again soon.
What's wrong with the world?
In 1910, G.K. Chesterton (one of my favorite authors -- I highly recommend The Man Who Was Thursday and the Father Brown mysteries) diagnosed all the world's problems. You can read his famous diagnosis, What's Wrong With the World, at Project Gutenberg. And if you do so, you'll find that Chesterton was a bit of a monster.
If you don't want to read the whole thing, you can read Scott Alexander's excellent review. Chesterton's ideas are wildly conservative, but they are beautifully written:
Chesterton goes on to explain why modern (liberal) values are wrongheaded; he is against feminism, he opposes educating the masses, he is appalled by socialism and against industry. His opposition is rooted in appeals to what he believes are universal values: the desire for order and prosperity, for equality, for each child to have a chance at happiness. Of course he twists these values in the service of (what I believe to be) awful ends.
It is heartening, though, to see how thoroughly his brand of conservatism has lost. Chesterton concludes his essay with a description of contemporary technocratic attempts to reduce the prevalence of lice among poor children:
He ends with a beautiful appeal to what he believes must be a universal value, desired by all:
That is, he believes it incontrovertible that little girls should have beautiful long hair! If you ever doubt that we've come a long way in the last century, remember: the last, unquestionable value, the denominator of Chesterton's thought, is just unimportant today. That red-heard she-urchin should be able to cut her hair however she damn well pleases.
Man After Man
One of my favorite books growing up was Dougal Dixon's Man after man: an anthropology of the future, which imagines the development and speciation of humanity in the far future -- under the influence of both genetic engineering and apocalyptic disaster.
I looked back on the book recently and was struck by how imaginative Dixon is, but also how his imagination is limited in some ways -- the future he imagines is visibly an '80s future (see: the haircuts of the "hivers" he imagines in the picture above). You can find a semi-legal copy of the book online here.